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The Obstacle is The Way


A week pushing along, working to further create a world in which the realities of other realms entering our world is recognized. A world which instead of inward turned angst, we have people observing sights such as that in the video below, and having an expansive sense of security in remembering their infinite states. Are the gold orbs we see below simply beings freed from the rigor of third-dimensional physical life? This physical life which allows us to evolve rapidly through a range of emotion while navigating the cumbersome stage of earth’s physicality.



eMptyTV Diary OPR

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Purpose of OPR is to provide alternative medium, media, channel, portal, ourselves and in – world – but universe, Hold a mirror.

Spirit, Environment, psychology, mythology, folklore, clouds, trees, ethnobotany, flowers, orchids

  •    ways of saying, knowing, theory of knowledge
  • scholars, a platform for students to publish really good research papers –
  • wildlife, star, a bright sky, astronomy, clouds
  • stars, clouds, space time continuum

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reality vs. illusion

a portal of reality – hold a mirror

reality portal, antidote to falsehood, illusion, lacking in value

To provide value. Nature Is : Stars, Air, Fire, Earth, Wind, Waters

universe, interspace portal. They do space w/out stuff!

to counteract – wwIII

A portal to reality:


Manifestations of Light ——  Holy Ghost – Spirit in Humans based on the elements :


Serpent In The Sky & The Definition of Disillusionment

Definition of disillusionment: – 

I had the feeling that everything was being sloughed away; everything I aimed at or wished for or thought, the whole phantasmagoria of earthly existence, fell away or was stripped from me an extremely painful process. Nevertheless something remained; it was as if I now carried along with me everything I had ever experienced or done, everything that had happened around me. I might also say: it was with me, and I was it. I consisted of all that, so to speak. I consisted of my own history, and I felt with great certainty: this is what I am. “I am this bundle of what has been, and what has been accomplished.” This experience gave me a feeling of extreme poverty, but at the same time of great fullness. There was no longer anything I wanted or desired. I existed in an objective form; I was what I had been and lived. At first the sense of annihilation predominated, of having been stripped or pillaged; but suddenly that became of no consequence. Everything seemed to be past; what remained was a fait accompli, without any reference back to what had been. There was no longer any regret that something had dropped away or been taken away. On the contrary: I had everything that I was, and that was everything.




In reality, a good three weeks were still to pass before I could truly make up my mind to live again. I could not eat because all food repelled me. The view of city and mountains from my sickbed seemed to me like a tattered sheet of newspaper full of photographs that meant nothing. Disappointed, I thought, “Now I must return to the ‘box system’ again.” For it seemed to me as if behind the horizon of the cosmos a three-dimensional world had been artificially built up, in which each person sat by himself in a little box. And now I should have to convince myself all over again that this was important! Life and the whole world struck me as a prison, and it bothered me beyond measure that I should again be finding all that quite in order. I had been so glad to shed it all, and now it had come about that I along with everyone else would again be hung up in a box by a thread.

  • Carl Jung







Willem Witteveen – The Great Pyramid of Giza as a Monument of Creation

V I R K O S H · P I R E N A ᛟ ᛏ ᛉ ᚼ ᚨ

Dear Readers, 

980453_183785828451331_472705522_oWillem Witteveen is a Dutch retired ship’s pilot in the port of Rotterdam, and a researcher and author. He studied navigational sciences on the Nautical College of Amsterdam and is qualified to act as a Master on all ships worldwide. Because of his profession he visited many countries and had the opportunity to visit several ancient sites all over the world. Being very interested in Ancient Egypt since long, he felt very mistrustful about the stories told by the local guides and Egyptologists. They made no sense to him. He always was convinced that there was a connection between the Earth and the nearby Solar System through the Great Pyramid of Giza, encoded through the four elements: Earth, Water, Air and Fire. He spent the last fifteen years doing research into the true function of the Great Pyramid of Giza. He has written the book The Secret of the…

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Philosophy of History


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The term philosophy of history refers to the theoretical aspect of history, in two senses. It is customary to distinguish critical philosophy of history from speculative philosophy of history. Critical philosophy of history is the “theory” aspect of the discipline of academic history, and deals with questions such as the nature of historical evidence, the degree to which objectivity is possible, etc. Speculative philosophy of history is an area of philosophy concerning the eventual significance, if any, of human history.[1]Furthermore, it speculates as to a possible teleological end to its development—that is, it asks if there is a design, purpose, directive principle, or finality in the processes of human history. Part of Marxism, for example, is speculative philosophy of history. Another example is “historiosophy”, the term coined by Gershom Scholem to describe his understanding of history and metaphysics.[2] Though there is some overlap between the two aspects, they can usually be distinguished; modern professional historians tend to be skeptical about speculative philosophy of history.


Sometimes critical philosophy of history is included under historiography. Philosophy of history should not be confused with the history of philosophy, which is the study of the development of philosophical ideas in their historical context.[3]

Speculative philosophy of history asks at least three basic questions:


  • What is the proper unit for the study of the human past — the individual subject? The familypolis (“city”) or sovereign territory? The civilization or culture? Or the whole of the human species?
  • Are there any broad patterns that we can discern through the study of the human past? Are there, for example, patterns of progress? Or cycles? Is history deterministic? Or are there no patterns or cycles, and is human history regulated by irregularity? Related to this is the study of individual agency and its impact in history, functioning within, or opposed to, larger trends and patterns.
  • If history can indeed be said to progress or cycle, what is its ultimate direction or pattern? What (if any) is the driving force of the progress or of the cycles?
  • What does it mean to know, explain and write history?
  • From Wikipedia, the free encyclopedia



ISIS, Egyptian Goddess of Magic and Giver of Life


Isis, the Egyptian goddess of rebirth remains one of the most familiar images of empowered and utter femininity. The goddess Isis was the first daughter of Geb, god of the Earth, and Nut, the goddess of the Overarching Sky. Isis was born on the first day between the first years of creation, and was adored by her human followers.

Unlike the other Egyptian goddesses, the goddess Isis spent time among her people, teaching women how to grind corn and make bread, spin flax and weave cloth, and how to tame men enough to live with them (an art form on which many of us would welcome a refresher course!)

Isis taught her people the skills of reading and agriculture and was worshipped as the goddess of medicine and wisdom.



More than any other of the ancient Egyptian goddesses, Isis embodied the characteristics of all the lesser goddesses that preceded her. Isis became the model on which future generations of female deities in other cultures were to be based.

As the personification of the “complete female”, Isis was called “The One Who Is All”, Isis Panthea (“Isis the All Goddess”), and the “Lady of Ten Thousand Names”.

The goddess Isis, a moon goddess, gave birth to Horus, the god of the sun. Together, Isis and Horus created and sustained all life and were the saviors of their people.


A Syrian refugee, who fled from the violence in Syria, stands outside a tent as his children look on, at the Domiz refugee camp in the northern Iraqi of province Dohuk July 3, 2013. Picture taken July 3, 2013. REUTERS/Ahmad Mousa  (IRAQ - Tags: CONFLICT CIVIL UNREST SOCIETY IMMIGRATION)
A Syrian refugee, who fled from the violence in Syria, stands outside a tent as his children look on, at the Domiz refugee camp in the northern Iraqi of province Dohuk July 3, 2013. Picture taken July 3, 2013. REUTERS/Ahmad Mousa (IRAQ – Tags: CONFLICT CIVIL UNREST SOCIETY IMMIGRATION)


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Isis became the most powerful of the gods and goddesses in the ancient world. Ra, the God of the Sun, originally had the greatest power. But Ra was uncaring, and the people of the world suffered greatly during his reign.

The goddess Isis tricked him by mixing some of his saliva with mud to create a poisonous snake that bit him, causing him great suffering which she then offered to cure. He eventually agreed.

Isis informed Ra that, for the cure to work, she would have to speak his secret name (which was the source of his power over life and death). Reluctantly, he whispered it to her.

When Isis uttered his secret name while performing her magic, Ra was healed. But the goddess Isis then possessed his powers of life and death, and quickly became the most powerful of the Egyptian gods and goddesses, using her great powers to the benefit of the people.


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Isis was called the Mother of Life, but she was also known as the Crone of Death. Her immense powers earned her the titles of “The Giver of Life” and “Goddess of Magic”. Her best known story illustrates why she is simultaneously known as a creation goddess and a goddess of destruction.

Isis was the Goddess of the Earth in ancient Egypt and loved her brother Osiris. When they married, Osiris became the first King of Earth. Their brother Set, immensely jealous of their powers, murdered Osiris so he could usurp the throne.

Set did this by tricking Osiris into stepping into a beautiful box made of cedar, ebony and ivory that he had ordered built to fit only Osiris. Set then sealed it up to become a coffin and threw it into the river. The river carried the box out to sea; it washed up in another country, resting in the upper boughs of a tamarisk tree when the waters receded.

As time passed, the branches covered the box, encapsulating the god in his coffin in the trunk of the tree.

In a state of inconsolable grief, Isis tore her robes to shreds and cut off her beautiful black hair. When she finally regained her emotional balance, Isis set out to search for the body of her beloved Osiris so that she might bury him properly.



The search took Isis to Phoenicia where she met Queen Astarte. Astarte didn’t recognize the goddess and hired her as a nursemaid to the infant prince.

Fond of the young boy, Isis decided to bestow immortality on him. As she was holding the royal infant over the fire as part of the ritual, the Queen entered the room. Seeing her son smoldering in the middle of the fire, Astarte instinctively (but naively) grabbed the child out of the flames, undoing the magic of Isis that would have made her son a god.

When the Queen demanded an explanation, Isis revealed her identity and told Astarte of her quest to recover her husband’s body. As she listened to the story, Astarte realized that the body was hidden in the fragrant tree in the center of the palace and told Isis where to find it.

Sheltering his broken body in her arms, the goddess Isis carried the body of Osiris back to Egypt for proper burial. There she hid it in the swamps on the delta of the Nile river.



Unfortunately, Set came across the box one night when he was out hunting. Infuriated by this turn of events and determined not to be outdone, he murdered Osiris once again . . . this time hacking his body into 14 pieces and throwing them in different directions knowing that they would be eaten by the crocodiles.

The goddess Isis searched and searched, accompanied by seven scorpions who assisted and protected her. Each time she found new pieces she rejoined them to re-form his body.

But Isis could only recover thirteen of the pieces. The fourteenth, his penis, had been swallowed by a crab, so she fashioned one from gold and wax. Then inventing the rites of embalming, and speaking some words of magic, Isis brought her husband back to life.

Magically, Isis then conceived a child with Osiris, and gave birth to Horus, who later became the Sun God. Assured that having the infant would now relieve Isis’ grief, Osiris was free to descend to become the King of the Underworld, ruling over the dead and the sleeping.

His spirit, however, frequently returned to be with Isis and the young Horus who both remained under his watchful and loving eye.



There are many other variations of this myth . . . in some Isis found the body of Osiris in Byblos, fashioned his penis out of clay. In others the goddess consumed the dismembered parts she found and brought Osiris back to life, reincarnating him as her son Horus.

In one of the most beautiful renditions, Isis turns into a sparrowhawk and hovers over the body of Osiris, fanning life back into him with her long wings.

Regardless of the differences, each version speaks of the power over life and death that the goddess Isis symbolizes. . . the deep mysteries of the feminine ability to create and to bring life from that which is lifeless.


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The Egyptian goddess Isis played an important role in the development of modern religions, although her influence has been largely forgotten.

The festivities surrounding the flooding of the Nile each year, originally named “The Night of the Tear-Drop” in remembrance of the extent of the Isis’ lamentation of the death of Osiris, her tears so plentiful they caused the Nile to overflow, is now celebrated annuallyby Egyptian Muslims and  is called “The Night of the Drop”.

She was worshipped throughout the Greco-Roman world. During the fourth century when Christianity was making its foothold in the Roman Empire, her worshippers founded the first Madonna cults in order to keep her influence alive.

Some early Christians even called themselves Pastophori, meaning the shepherds or servants of Isis. . . which may be where the word “pastors” originated. The influence of Isis is still seen in the Christian ikons of the faithful wife and loving mother.

Indeed, the ancient images of Isis nursing the infant Horus inspired the style of portraits of mother and child for centuries, including those of the “Madonna and Child” found in religious art.

The power of the goddess Isis in the “public arena” was also profound. Her role as a guide to the Underworld, was often portrayed with winged arms outstretched in a protective position. The image of the wings of Isis was incorporated into the Egyptian throne on which the pharaohs would sit, the wings of Isis protecting them.

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The ancient Egyptian goddess Isis has many gifts to share with modern women. Isis embodies the strengths of the feminine, the capacity to feel deeply about relationships, the act of creation, and the source of sustenance and protection.

At times Isis could be a clever trickster empowered by her feminine wiles rather than her logic or brute strength, but it is also the goddess Isis who shows us how we can use our personal gifts to create the life we desire rather than simply opposing that which we do not like.

The myths of Isis and Osiris caution us about the need for occasional renewal and reconnection in our relationships. Isis also reminds us to acknowledge and accept the depths of our emotions.

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words – http://www.goddessgift.com/goddess-myths/egyptian_goddess_isis.htm